fette:

Top, screen capture from Rabbits, directed by David Lynch, 2002. Watch a 9:04 excerpt. Bottom, photograph by Paul Ickovic, Paris (Robert Delpire), 1990 [side cropped, original image is wider]. Via. More.

Watch also, Inland Empire, and Alain Resnais, Mon oncle d’Amerique.

One day, the sadness will end.

(Thanks god, sunday only lasts one day)

"That’s why Eraserhead was so beautiful for me because I was able to sink into that world and live in there. There was no other world. I hear songs sometimes that people say were very popular at the time, and I haven’t a clue, and I was there. And that’s the most beautiful thing - to get lost in a world. And because of the money and the pressure now, it’s almost like a catastrophe. Making pictures has gotten too fast. Many pictures skim along the surface. They can’t delve deep because, if you’re water-skiing at fifty miles an hour, you’re not going to go beneath the surface. But if the boat stops - or even slows up - down you go in the deep water. And that’s where the good ideas are."

D. Lynch from “Lynch on Lynch” edited by C. Rodley

The dog who is so angry he cannot move. He cannot eat. He cannot sleep. He can barely growl. …Bound so tightly with tension and anger, he approaches the state of rigor mortis.

parachuteshark:

THE ANGRIEST DOG IN THE WORLD

(Source: prchtshrk)

iwdrm:

“Are you Henry?”

Eraserhead (1976)

Talking about chickens..

Eraserhead (1977) chicken dinner scene (via almostdeadbattery)

[Flash 9 is required to listen to audio.]

Mulholland Drive-Love Theme by Angelo Badalamenti